Last Class of the Semester-D444

Hello Students!

Make sure to turn in Essay 3 if you have not done so already!

Today is the last day of class. I hope that you can make it today for a little extra credit, and to wrap up the semester with a brief discussion of summer plans.

Here are two of my favorite quotes from one of my favorite authors, Toni Morrison:

  1. On writing: “The ability of writers to imagine what is not the self, to familiarize the strange and mystify the familiar, is the test of their power.”

  2. On reading: “Books are a form of political action. Books are knowledge. Books are reflection. Books change your mind.”

Have a great summer; I hope to see you around City Tech in the future.

Best wishes,

Prof. Scanlan

Class info for Monday, May 19

Agenda:

1–Reread your essay. Mark any areas that you know need revision.

2—Underline your thesis [does it use the blueprint?]

3—Circle your method [does it indicate the logical flow and order of your essay?]

4—Put a star next to each topic sentence. Is each one declarative, linked, and specific?

Ex: Another thing about the story is empathy.

Ex: It is important to spot the town’s adherence to some set of rules and duties about the lottery, but it is also helpful to look for the small moments of empathy. According to Prof Scanlan’s handout, altruistic empathy occurs when…

5–Please read, check, and proofread your essay:

Tip 1: Read your essay out loud

Tip 2: Read “backwards”

Tip 3: MS Word “Editor” (MS 365): Student Software Hub:

https://www.citytech.cuny.edu/current-student/technology-services.aspx

Tip 4: Spellcheck/Grammar check

Tip 5: Ask a friend/classmate to read your essay

 

Note: do not use AI to write your essay. Do not use translation software.

 

Homework for Wednesday, May 21: 

WEDNESDAY, MAY 21 IS THE LAST DAY OF CLASS!!

Students who do not submit a printed Essay 3 before the end of class on 5/21 will receive a zero for Essay 3 and will fail the class.

Class info for Wednesday, May 14

Agenda:

1–First-page peer review

2–Q & A over Essay 3 (review instructions, quoting, and APA references)

APA Citation from OpenLab for a class handout:

              Instructor’s Last Name, First Initial. Second Initial if given. (Year Handout Was Created if known). Title of handout: Subtitle if any [Class handout]. OpenLab. URL

APA Citation from OpenLab for a short story:

Author’s Last Name, First Initial. Second Initial if Given. (Year of Publication). Title of short story. OpenLab. URL

APA in-text quote: (Author’s last name, year of publication)

(Scanlan, 2025) or (Bradbury, 1950)

Ex: According to Prof. Scanlan’s handout (2025), deontology is all about “rules” and “duties.”

Ex” According to the ethics handout, deontology is all about “rules” and “duties” (Scanlan, 2025).

Homework for Monday, May 19: 

Bring in a printed full draft of Essay 3 for our second peer review. Also, bring in any questions that you have. Reminder: 5/19 is the last day to submit Essay 3 for five extra points.

Looking ahead: Submit a printed final draft of Essay 3 during class on either 5/19 or 5/21. Students who do not submit a printed Essay 3 before the end of class on 5/21 will receive a zero for Essay 3 and will fail the class.

Class info for Monday, May 12

Update: The word-length minimum for Essay 3 is 800 words. Please put the word count at the bottom of the essay.

 

Agenda:

1–Return and discuss answers for Quiz 4

2–Discuss homework questions (participation points)

  1. Which story is your favorite? Why?
  2. Who are the main characters?
  3. What happens at the end of the story?
  4. What is your favorite scene?
  5. What are the possible ethical types that occur in that scene?

3–Review student example page 1

 

Homework for Wednesday, May 14: 

Bring in a printed page 1 draft for peer review. See the student example for a blueprint on how to organize it. This draft is worth 5 participation points.

Class info for Wednesday, May 7

Agenda:

1–Quiz 4

2–Discuss Five Types of Ethics handout and Empathy handout

3–Discuss Essay 3 instructions

4–Apply handouts to stories

5–Return grade report for PSA project

 

Homework for Monday, May 12: In your notes, answer these questions:

  1. Which story is your favorite? Why?
  2. Who are the main characters?
  3. What happens at the end of the story?
  4. What is your favorite scene?
  5. What are the possible ethical types that occur in that scene?

Class info for Monday, May 5

NOTE: I fixed the link to “The Interpreter of Maladies.”


Agenda:

1–Weekly Journal (last one)

2–Return Quiz 3 and discuss

3–Discuss Five Types of Ethics handout and Empathy handout

4–Discuss Essay 3 instructions

5–Apply handouts to stories

 

Homework for Wednesday, May 7: Read “The Veldt,” and also study for Quiz 4 (final quiz) which will cover our short story vocabulary as well as “The Interpreter of Maladies,” “The Enormous Radio,” and “The Veldt.” This quiz will take place at the beginning of class, so please be on time.

Class info for Wednesday, April 30

Agenda:

1–Quiz 3 (please be on time as my quizzes cannot be made up at a later date)

2–Weekly Journal

3–Discuss Five Types of Ethics Handout

4–Apply handout to Assimilation (and other stories)

5–Discuss Essay 3 instructions

Homework for Monday, May 5: Look up the term irony and write the definition in your notes. Read “The Interpreter of Maladies” and “The Enormous Radio.” In your notes, briefly describe the type of ethics the main characters seem to follow.

 

Looking ahead: Quiz 4 will be on Wednesday, May 7 over Five Types of Ethics, Empathy, “The Interpreter of Maladies,” “The Enormous Radio,” and “The Veldt.”

Class info for Monday, April 28

Due to travel, I will not be able to hold office hours this Wednesday or Thursday. Please email me if you have questions.


Agenda:

1–Weekly journal

2–Vocabulary for our last unit

1-character

2-setting

3-plot

4-narration [narrator: first person, second person, third person]

5-theme

6-symbol

7-metaphor

8-writing style: writing style encompasses such language characteristics as the author’s word choice (diction), tone, grammar, and sentence structure. It can also be thought of as a particular school or genre of writing such as realistic style, modernist style, romantic style, comedic style, journalistic style, scientific style, historical style, autobiographical style, satirical style, and many others.

9-focalizer: the person or entity who is seeing or visualizing the scene; this person or entity is not always the narrator–it is often a character.

10-focal distance:

1. distance between focalizer and the action, or

2. distance between the narrator and the focalizer

11-horizon of expectations

             The “continuous establishing and altering of horizons,” urges the literary critic Jans Robert Jauss in Theory of Aesthetic Reception (1982),

determines the relationship of the individual text to the succession of texts that forms the genre. The new text evokes for the reader (listener) the horizon of expectations and rules familiar from earlier texts, which are then varied, corrected, altered, or even just reproduced . . . the question of the subjectivity of the interpretation and of the taste of different readers or levels of readers can be asked meaningfully only when one has first clarified which trans-subjective horizon of understanding conditions the influence of the text. (23)

3–Discuss “The Lottery” and “Thank You, Ma’ am” in terms of these vocabulary terms.

Homework for Wednesday: Read “Assimilation” and prepare for Quiz 3 by studying the eleven vocabulary terms above and reviewing “Assimilation,” “The Lottery,” and “Thank You, Ma’ am.”

Class info for Wednesday, April 23

Agenda:

 

1–Finish presentations

2–Transition to last major essay: The Short Story and Five Types of Ethics

3–Read and discuss “The Captive” and some essential definitions

 

Homework due Monday, April 28:  Read “The Lottery” and “Thank You Ma’am” and for each story, write down brief answers to these questions:

  1. Main characters?
  2. Setting?
  3. Plot?
  4. Point of view? or narration/narrator?
  5. Themes, symbols, and metaphors?

 

 

END OF SEMESTER SCHEDULE:

4/21–Presentations (day 1); Homework: Read “The Captive”

 

4/23–Presentations (day 2); Homework: Read “The Lottery” and “Thank You Ma’am”

4/28–Weekly Journal; Ethics and the short story introduction; Homework: Read “Assimilation”

 

4/30–Weekly Journal; Quiz 3; Discuss Ethics handout; Homework: Read “The Interpreter of Maladies” and “The Enormous Radio”

5/5–Weekly Journal; Homework: Read “The Veldt”

 

5/7–Quiz 4; Homework: Draft first page of Essay 3

5/12–Research Day (the author interview)

 

5/14–Peer Review Essay 3

5/19–Early submission day for Essay 3 (Add 5 points)

 

5/21–Final Day to Submit Essay 3 (extra credit writing possibility)–LAST DAY OF CLASS

Class information for Monday, April 21

Hello Class,

Today is presentation day. Please arrive on time and pay attention to your classmates.

 

—–

Homework for Wednesday, April 23:

-Read  the short story below and then identify the following in your notes:

  1. The main characters
  2. Setting
  3. Plot
  4. Narrator (who tells the story)
  5. Themes, symbols, and metaphors

 

 

The Captive

by Jose Luis Borges [published 1960]

The story is told in Junín or in Tapalquén. A boy disappeared after an Indian attack. People said the Indians had kidnapped him. His parents searched for him in vain. Then, long years later, a soldier who came from the interior told them about an Indian with blue eyes who might well be their son. At length they found him (the chronicle has lost the circumstances and I will not invent what I do not know) and thought they recognized him. The man, buffeted by the wilderness and by barbaric life, no longer knew how to understand the words of his mother tongue, but indifferent and docile, he let himself be led home. There he stopped, perhaps because the others stopped. He looked at the door as if he did not know what it was for. Then suddenly he lowered his head, let out a shout, ran across the entrance way and the two long patios, and plunged into the kitchen. Without hesitating, he sank his arm into the blackened chimney and pulled out the little horn-handled knife he had hidden there as a boy. His eyes shone with joy and his parents wept because they had found their son.

Perhaps this recollection was followed by others, but the Indian could not live within walls, and one day he went in search of his wilderness. I wonder what he felt in that dizzying moment when past and present became one. I wonder whether the lost son was reborn and died in that instant of ecstasy; and whether he ever managed to recognize, if only as an infant or a dog does, his parents and his home.

 

Source: Borges, Jorge Luis. Collected Fictions. Translated by Andrew Hurley. Penguin, 1998, p 300.

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