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This course lays the foundation for understanding the literary, cultural, and historical influences behind the work of what has come to be known as the “Latin American Boom” that culminated in Latin America’s premier writer and inventor of “magical realism,” Gabriel García Márquez. Students investigate the literary and cultural antecedents to García Márquez’s texts, including works by Federico García Lorca (Spain), Isabel Allende (Chile), Jorge Luis Borges (Argentina), Juan Rulfo (Mexico), and others. Students will also investigate the relationship between magical realism and the historico-political rhetorics against which Marquez was writing, including but not limited to the role of the United Fruit Company, Simón Bolívar and his aspirations for a “Gran Colombia,” and the corruption and politics associated with so-called Banana Republicanism. Students also analyze and discuss a wide range of cultural artifacts, study a variety of writing models, and practice both individual and collaborative research, writing, and presentation.

This course lays the foundation for understanding the literary, cultural, and historical influences behind the work of what has come to be known as the “Latin American Boom” that culminated in Latin America’s premier writer and inventor of “magical realism,” Gabriel García Márquez. Students investigate the literary and cultural antecedents to García Márquez’s texts, including works by Federico García Lorca (Spain), Isabel Allende (Chile), Jorge Luis Borges (Argentina), Juan Rulfo (Mexico), and others. Students will also investigate the relationship between magical realism and the historico-political rhetorics against which Marquez was writing, including but not limited to the role of the United Fruit Company, Simón Bolívar and his aspirations for a “Gran Colombia,” and the corruption and politics associated with so-called Banana Republicanism. Students also analyze and discuss a wide range of cultural artifacts, study a variety of writing models, and practice both individual and collaborative research, writing, and presentation.

Students critically read, analyze, and write about the popular genre of the Gothic. As represented in both literary and visual terms, in both Europe and the United States beginning in the late-18th century to today. Key concepts include horror, haunting, madness, and monsters.

Students critically read, analyze, and write about the popular genre of the Gothic. As represented in both literary and visual terms, in both Europe and the United States beginning in the late-18th century to today. Key concepts include horror, haunting, madness, and monsters.

English 1101 is a writing- intensive course designed to strengthen your composition skills. Writing a variety of essays, in addition to a research paper, will help you develop skills such as building an argument, adopting your writing for different needs and situations, interpreting and responding to a text, incorporating secondary source material effectively, and mastering the mechanics of quoting, citing, and documenting sources. The poems, short stories, essays, and newspaper articles we will read together are focused on New York City and urban issues. We will be reading pieces both for their inherent literary value and also as models of composition that you may employ in your writing assignments. Reflecting on your own experiences alongside these texts will ensure active discussion regarding communities, public space, urban art forms, education, class, race, gender, crime, gentrification, and other topics of debate.

English 1101 is a writing- intensive course designed to strengthen your composition skills. Writing a variety of essays, in addition to a research paper, will help you develop skills such as building an argument, adopting your writing for different needs and situations, interpreting and responding to a text, incorporating secondary source material effectively, and mastering the mechanics of quoting, citing, and documenting sources. The poems, short stories, essays, and newspaper articles we will read together are focused on New York City and urban issues. We will be reading pieces both for their inherent literary value and also as models of composition that you may employ in your writing assignments. Reflecting on your own experiences alongside these texts will ensure active discussion regarding communities, public space, urban art forms, education, class, race, gender, crime, gentrification, and other topics of debate.

This is Carrie Hall’s ENG 1121

This is Carrie Hall’s ENG 1121