Aaron Ocasio’s Profile

Student
Active 14 hours, 41 minutes ago
Aaron Ocasio
Major Program of Study
Communication Design

My Courses

COMD3701 Design Studio, SP21

COMD3701 Design Studio, SP21

This openly available model course contains course information, learning outcomes, suggested weekly topics and projects, video resources, quizzes, and more. It may be cloned and adapted by any faculty member teaching this course.

COMD4900 OL92 35050 Internship, SP2021

COMD4900 OL92 35050 Internship, SP2021

Internship in Communication Design (Asynchronous) Assignment to field work/study situations of approximately eight to 20 plus hours per week at a graphic arts-related internship site approved by the department internship director. Sites may be in areas such as advertising, printing, corporate communications or publishing. Students keep a log/journal to be shared in group seminars/discussions. Supervision is by faculty and by the job supervisor. Students will be required to keep a learning journal of their internship in the form of a blog using Open Lab.

COMD3330-D230 – Digital Photography II – Spring 2020

COMD3330-D230 – Digital Photography II – Spring 2020

In this class, the emphasis will be on creative problem solving with photography for the Communication Design eld. The emphasis will be on using style to transform subject matter in order to communicate ideas. In addition, each student will create a coherent body of work on a topic of his or her choice. Students will be exposed to a wide range of contemporary photographers from a range of genres. Advanced digital darkroom, color correction, and color management procedures will be covered in addition to facilitate students’ professional-level portfolio development.

COMD1257 Type II, FA2019-FRIDAY

COMD1257 Type II, FA2019-FRIDAY

Introduces a variety of basic layouts and formats, building technical and practical fluency in setting and working with type for both print and screen. This course further explores topics learned in COMD 1127 Type and Media, such as typeface selection and the use of the typographical grids. Problem-solving for most common typographical problems is discussed.

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