My proposal is i’m going to do a photoshoot for a adopt a dog for the holidays by using the dog that i’ll bring in. The lighting style i’m going to try to do is short light while the dogs have their mouth open because it would give a feel of cuteness and will make people want to adopt a pet. Another picture i’m will try to shoot is have a couple of boxes in the frame with the dog looking at the camera or slightly look away from the camera.

This is a photograph from Cruver Photography that i will try to recreate with my dog however my dog is a lot taller than this puppy so i’m going to try and see if i can get bigger boxes. My props will include a lot of Christmas themed items such as reindeer hat, wrapped boxes, etc.

This will be a photo shoot for Dolce & Gabbanna The One men’s fragrance. The intended audience is men who tend wear a more warm, oriental cologne. This will be a still life photo shoot. It will feature some warm and Earth tones. This will be an ad that will launched in Autumn. I will use Autumn leaves and fruits with branches and wooden textures. This is meant to be a serious or sensual tone. It is supposed to portray the masculinity and rustic nature of a man. Since that I will be photographing glass, I will shoot with the light behind the product and additional light or fill to bring out other objects in the composition. I will shoot with a dark and light background.

These images were shot by Chris Brooks. He is experienced in shooting portraits as well as still life. Some of his photos feature high contrast in colors and others are soft with low contrast. His work can be viewed here: https://chrisbrooks.net/list-of-works

Tim Wallace is a photographer specialized in Commercial and Advertising photography of vehicles, aviation, and transportation media in a wide gamut. He has shoot for the most iconic brands through his career and is well recognized as a prominent figure on its line of work. He also has many photography awards among them Hasselblad not surprisingly as one his main tools to capture great detail in medium format.

The cars shot on studio have a dramatic and luxurious mood. The lightning is delicately place to remark volume and shape it’s almost as it were shooting the sensual curves of a woman’s body. It has that romantic low light lighting from a hotel lobby. The reflections on the windows are perfectly smooth and on the right brightness almost as they were drawn. In a nutshell every piece of detail in the car is brought up in the most subtle way that its pleasant to analyze without any harsh lights that can distract you in the process. The cars shot in location have a little bit more of a realistic approach. You can see the dirt or dust on the cars, this tells you they are not a toy and they are fast machines. The environment of some are a race track adding to the sense of speed. The skies are full of clouds and the weather is just right. The dramatic look accentuated in post production with clarity it’s just one more touch of its amazing work.

Some trucks are shoot on location to convey the sense of on the go. The the trucks are freeze on the spot while the pavement seems to have a motion blur to create the sense of speed. This could be done with a slow shutter speed and panning the camera along the truck when passing by. Or could also be done simply in post production. Either or  I think the message that conveys of power and speed are appropriate for the heavy machine. He also has some trucks shot on studio with a much more controlled light and with that neat and clean look that makes you wanna buy it just for collection and not make a scratch on it.

The work of Julia Sent seem to be a recollection of memories in space and time through objects or belongings. Her still’s feature an object with a story of sentimental value. A story she wants to show through her compositions and style. She also aids the composition with other props like fruits for a bawl, flowers for a base, or simply something completely unusual like crab legs on a cup. Her compositions are neatly arranged with just a few objects, yet the appear very organic and give you the sudden feeling they were just laying there and she caught them in their appropriate moment.

The lightning seems to be Rembrandt style coming from above at a 45 degree very similar to a soft window light. At first instance I thought they were lit with some kind of softbox, but looking closer to the details it seems this are completely lit with ambient light. My guess comes from the fact that in one of the pictures with glass you can seen a window in the reflections. For another instance I notice the photos carry a thick noise this could be because she is using a high ISO.

For some of the photos there’s a very marked horizon line and for others the horizon is gradually faded, merging the light foreground to the dark. The darkness of the background creates a smooth contrast with the colors of the subject’s in front. Accentuating the vibrance of colors without that saturated look. The result is a very emotional and antique mood, with an elegant profile.

This lightning style reminds me of the chiaroscuro technique from the Baroque movement from painters like Caravaggio, Rembrandt and such. I can say this is one of my favorite lightnings color contrast and moods.

Tim Wallace is a UK based photographer who specializes in commercial photography.  His work can be described as dramatic and conceptual, which is often showed in the work he does with cars.  Wallace seems to know just how to capture a cars best side, and not just document it but get the feeling of what it is to drive the car to the viewer.  

With no two photos alike.  Wallace documents high-class and high speed vehicles in dramatic and exciting locations that really emphasize the places this car will take you.  Wallace seems to be able to photograph a lifestyle through still life car imagery. Also it looks as if a lot of preplanning goes into the photography that Wallace is doing.  The locations are scouted and everything is taken account for. Everything within the photo needs to highlight the emotion and feeling that the vehicle is giving off.

Wallace makes a car look like a beautiful sleek and exciting creature against the various backgrounds and locations that he scouts out.  The Ferrari a gentle beast creeps along cobblestone in an almost gothic and old castle-like setting. The light shining of the hood of the car that illuminates the pathway that the car takes.  Wallace’ work is dramatic and captures the true feel, emotion, and lifestyle that driving that particular car gives off. Whether is is a powerful race car, or a sleek and smooth porsche traversing an urban environment.  

Julia Sent is most known for her work surrounding still life photography.  She photographs inanimate objects of all sorts as well as some living things/once living things.  Her photos are beautiful and ornately put together and somewhat strange. The objects being photographed are colorful and somewhat explode off of the dark background that is seemingly infinite.  

Her photographs all have this rough and natural feel and look to them.  The background being black adds to the natural feel since white seems to give a more sterile feel in my opinion.  The objects tend to be fruits, vegetables or possibly flowers, which is often mixed in with some old antique style items that give off this rough and retro feel.  One image which is simple yet very strange in its own way, features an old aged flower pot with wilting flowers, perched on a chess board that has an egg and pawn on it. The egg is the most purely white and smooth item in frame which adds for interesting contrast against everything else that has brown undertones.  

It is almost creepy in a sense.  Her work has a recurring theme of death, or at least wilting.  Dry fallen leaves, wilting flowers, and a fish head. The shadows and lighting really add for a display of natural beauty and imperfection that can be seen on the details of fruit, or the curled edges of the flowers.  

The Art of the Mountain is a delightful photography exhibition by a number of talented Chinese photographers. Currently being host in the private gallery of the China Institute in Tribeca, New York.
The Exhibit contains a collection of stunning imagery of mountains, capture in its most appealing and compound way. From the collection, there is three pieces that stood out to me the most.

Lopsided Tree, taken in 2008 at Mountain Sanqing, Jiangxi by Lu Yanpeng (b. 1984)“When I cannot paint, I write poems to record my feelings. But When I have the camera , Is almost as if I could neither write nor paint so that I could focus all my emotions on “That single moment ” As Lu Yanpeng mentions in the description this particular series are poems. This photograph say a whole lot more than it shows at first glance it might appear simple and with out much to say about it, but take a second look. This frame is what i call a silent scream. The setting is simple yet professionally composed. The composition: The side of a mountain with a lopsided tree on top left corner, falling along down the curved line of the mountain across the frame creating a stylistic “S curve” diagonal filling the frame from top to bottom. Contrast of the dark Mountain and light sky. The Poem: One image says more than a thousand words, this is the photographer feelings of a particular mood of his life that we do not necessarily know, but we could stare at this image and dive into endless stories and feelings and make it our own story, perhaps a dream. Dreamy, fantasy, moody, melancholy, even horror are some of the many words I could say about this. Quite Inspiring.

Peach Blossom Colony No.1 , 2011, source images of the photo collage: Shanghai, Hong Kong, Taipei, and others. The subject of the peach blossom colony derives from the fiction “Peach Blossom Spring” written by the Eastern Jin dynasty Tao Yuanming. Based on a bitter scent for modernism and the materialism that possesses the new generation and has taken away the spiritual and naturistic side of our human side. At first glance, It amazed me since it looked as a fantasy painting. Taking a closer look I admired the details and shifted up and down emotions. This composition is represented in a panorama landscape. Earth, sky, field. In fist plane a lady wearing a white dress. She is facing the landscape contemplating the city in the distance from the contrast of nature. Perhaps she is a reminiscence of times or she is being lured into the city. Well balanced composition in my opinion. Trees or set of branches on each side almost as putting a parenthesis to frame the scene. The lady is standing in the left 2/4 lower section of the frame. In the opposite side is the mountain to balance the weight in the upper section. Now the key attraction here is the mountains. What at first glance look like simple mountains, are more than that. Probably the most meticulously editing part of this piece, the mountains are fuse with buildings or to be more specific, its a set of buildings fused into a mountain shape with a quite impressive detail.

Huangshan W25, 1991 by Wang Wusheng (b.1995) Taken at Lion Peak, Mount Huang. Another impressive composition with two rows of mountains were one is being hit by the light of the sun, while the others are on shade. Judging by the shadows on the rocks it seem to be at an early sunrise, since the light its at an 10 degree angle blocking the light for other mountains. The clouds, the fog is what made me stop for this one. The light from the sun is very bright hence the exposure for this shot had to be quite fast giving the opportunity of a couple of shots, but maybe he just waited for the right time to take it. The motion of the fog coming down the mountain it gives a feeling of the power of nature and the majesty of of creation and makes you think how small we are against the divine nature.

The Patriarch of the Five Sacred Mountains on Mount Tai, 2001 By: Yan Shi

This is a photo of a series of rocks atop a snowy mountain top.  The left side of the rocks are in light and feature chinese characters inscribed in them in a red color. The right side of the photo is in shadow which helps highlight the bright glowing red calligraphy that is carved into the left face of the rocks.  The photo itself is very clear and crisp which really captures the overall cold vibe of the photo. The photographer seems to be trying to capture the beauty of the characters in a natural landscape. The description of the photo states that the inscription on the rocks are an emblem for Mount Tai.  It is almost as if these inscriptions are sort of the entrance/peak of this mountain top. The rock sort of serves as the historical landmark that has had generations leave their mark on it.

After the Painting “Autumn Colors in the Que and Hua Mountains” By: Hong Lei

I really like this photo and I think that’s because I enjoy photographs of industrial structures.  Metal structures are somewhat menacing and majestic in their own way. The photo is a panoramic view of an industrial factory complex. And it is pieced together from multiple photos to create the panoramic effect.   The sky has a purple and blue gradient that creates sort of a calm feeling to the photo which consists of a maze of metal, concrete and smoke stacks. There is one particular smoke stack in the center of the image that has smoke coming out dividing the image entirely in half.  It disturbs the light purple sky and interrupts the flow of the photo. That being said the smoke sort of represents how industry/industrialism interrupts the beauty of nature. Which is what I think the photographer is trying to emphasize through this photo. Nature is sacred and industrialism puts in danger the environment that people need to inhabit.  

The Four Deities of the Himalayan Range, By: Zhang Anlu

This is an incredibly breathtaking image.  The photograph features a series of mountain scapes that go from a dark sandy brown all the way to snowy mountain tops.  The photographer seems to capture miles and miles of mountain tops all from the peak that they are perched on. The 4 Himalayan peaks are often not seen and I assume that is because of cloud coverage. However, Photographer Zhang Anlu manages to capture an exciting photo of a crisp cool mountain scapes that changes dramatically in light and dark shades.  The mountains create a sort of gradient of light and dark all the way until it hits the horizon line and blue sky. The photographer creates and almost unreal image. They bring you to an almost otherworldly environment through this image.

Ralph Smith, 21 years old, Ft. Lauderdale, Florida, $25

The Series “Hustlers” by Philip Lorca Dicorcia is a collection of photographs of male prostitutes of the 90’s. The portraits are capture in a remarkable lightning that seem mostly natural ambient light even though they all are meticulously planned. One of the Photographs I like to talk from the collection is “Ralph Smith” a 21 years old from Florida. I find the lightning in this composition was very well thought. Starting with the way Philip Lorca integrated the ambient light with the artificial. The use of the Big Bright led sign like a Soft box as a key light. In the opposite side he fills in the shadows, probably in the street with a gridded soft box to direct the light.

The composition is quite busy. It has street lights bouncing around everywhere but still it doesn’t distracts from the subject. The guy is set in the middle of the frame sitting in the grass looking at a lower corner of the frame blank point in space. Overall the lightning composition along with the character pose convey a quite dramatic scenario of a possible moment in a day of this individual. One can learn quite a lot from this artist by analyzing the light, the colors, the composition the way this artist think and frames a story. Captivating attention by first glance Phillips portrait works, tells you a whole lot of story with only one frame.

He seems to focus on capturing a personal quality or an aspect of their personality. In conjunction with the environment or set where they are captured, which also plays part of their personalities. For example for this particular collection its about kids in the school most of the portraits are in a corner or against the wall. This could convey the message of feeling trapped on a social circle that is not of their nature or simply the feeling of self-consciousness.

Another aspect Bay uses to show their subjects personality  its posing. Arms crossed hi up showing a defensive side of their personality or leaning forward to show some attitude and self confidence.

The theme palette is colorful yet slightly muted.
Some portraits are warm while others are cold. He also uses color analogy for contrast. This helps drawing the eye to the subject’s character.

The rooms are well lid, the subject’s in this case teen students are mostly next to a window.
The lightning is soft and minimal almost as natural light from a window, which obviously seems to be Bay’s intention.