Richard Avedon and Jonathan Mannion

Richard Avedon was a well known portrait and fashion photographer. He’s photographed people like Gloria Vanderbilt and Marilyn Monroe. His portrait style is very unique. From looking at his work, it’s very expressive. His photographs definitely capture the moment. He liked shooting in black and white. His photos show very strong contrasts between the light and dark areas.

Jonathan Mannion had the honor to work under Avedon as his assistant. He was able to observe the psychological connection between Avedon and his subjects. Mannion’s love for hip hop and pop culture really helped to create portraits that personified many recognized names in the business. Looking at Mannion’s work, it is apparent that there is a similar style to his portraits. He also shot in black and white and had very strong contrasts. There’s a lot of dimension and kind of harshness (not in a bad way) of using such contrasts. It brings the subject matter forwards. It has a dramatic effect as well as a grungy look, kind of very in your face and like “I’m not intimidated by anybody” look. In addition, it also highlights the higher points on a subjects face to capture certain shadows. The portrait of Jay Z is a prime example of Mannion using Avedon’s portrait style. It’s very high contrast, not only seen in his face but in his outfit. His outfit is black and white. In his face, you can see the shadows under his brow bone, under the eyes, bottom and side of his nose, and under his lip on his chin. They aren’t unflattering shadows help to emphasize the particular features.

 

 

One thought on “Richard Avedon and Jonathan Mannion

  1. rmichals

    I am not sure what you mean by expressive in referring to Avedon’s photography. To quote Max Kozloff,” no one has smiled in an Avedon photo for a long time.” What I find interesting about his work is how he uses the same deadpan style for heads of state, actors or Vietnamese victims of napalm. Look at his photograph of Ronald Fischer, a beekeeper. I know fro having read about the main of this photograph that Ronald Fischer was being stung as they were shooting. There is nothing of this pain in the photo. At least I don’t see it. Avedon thought the photo was about the endurance of pain and suffering.

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