Category: Uncategorized (Page 1 of 7)

Choi, Kyoungho, et al. “Evaluating Olympic Pictograms Using Fuzzy TOPSIS-Focus on Judo, Taekwondo, Boxing, and Wrestling.” International Journal of Environmental Research and Public Health, vol. 19, no. 7, Mar. 2022. EBSCOhost, https://doi-org.citytech.ezproxy.cuny.edu/10.3390/ijerph19073934.

Garcia, Beatriz. “One Hundred Years of Cultural Programming within the Olympic Games (1912-2012): Origins, Evolution and Projections.” International Journal of Cultural Policy, vol. 14, no. 4, Nov. 2008, pp. 361–76. EBSCOhost, https://doi-org.citytech.ezproxy.cuny.edu/10.1080/10286630802445849.

Kim, Sojung. Trends in Olympic Pictograph Design: A Comparative Study Using Olympic Games’ Sports Symbols, PJIM Parson Journal for Information Mapping, 2012, http://www.piim.newschool.edu/journal/issues/2012/04/pdfs/ParsonsJournalForInformationMapping_Kim_SoJung.pdf.

Ya-Chieh Lee, and Ming-Chyuan Ho. “The Cultural Identity of Image Design, with Olympic Games as Example.” International Journal of the Humanities, vol. 7, no. 4, July 2009, pp. 167–74. EBSCOhost, https://doi-org.citytech.ezproxy.cuny.edu/10.18848/1447-9508/CGP/v07i04/42660.

https://olympics.com/en/

Citations

Plagens, Peter, and Ray Sawhill. “The Font of Youth.” Newsweek, vol. 127, no. 9, Feb. 1996, p. 64. EBSCOhost, citytech.ezproxy.cuny.edu:2048/login?url=https://https://search.ebscohost.com/login.aspx?direct=true&db=mth&AN=9602207799&site=ehost-live&scope=site.

“Typeout!: They may love him or hate him but graphic designers are rarely indifferent on the subject of David Carson. A former surfer and sociology teacher, Carson is best known for his work on the American music magazine Ray Gun, where he tore up the rulebook, followed his instincts and kicked design into the future.” Observer [London, England] 12 Nov. 1995: 46. Business Insights: Global. Web. 23 Apr. 2022.

URL

http://bi.gale.com.citytech.ezproxy.cuny.edu/global/article/GALE%7CA171367299/8574315b18632bc0b53bbc6abb397cf2?u=cuny_nytc

Partly explains Carson’s process. 

Laurel Harper Hyper Critical Review of Carson’s Fotografiks. 

References:

• Cassegard, Carl. “Activism Beyond the Pleasure Principle? Homelessness and Art in the Shinjuku Underground”. Third Text. Sep2013, Vol. 27 Issue 5, p620-633. 14p. 5 Color Photographs. DOI: 10.1080/09528822.2013.830446.
• Knoblauch, Ann-Marie. “The Mainstream Media and the “Shocking Bad Art” from Cyprus: 1870s New York Reacts to the Cesnola Collections.” Near Eastern Archaeology. Jun2019, Vol. 82 Issue 2, p67-74. 8p. 1 Color Photograph, 5 Black and White Photographs, 2 Diagrams. DOI: 10.1086/703746.
• DI SIA, PAOLO. “DESCRIBING THE CONCEPT OF INFINITE AMONG ART, LITERATURE, PHILOSOPHY AND SCIENCE: A PEDAGOGICAL-DIDACTIC OVERVIEW”. Journal of Education, Culture & Society.2014, Issue 1, p9-19. 11p.
• Kalle Lasn, “The Future of Design”(lecture, TYPO Berlin, 11thInternational Design Conference,Berlin, May 2006)
• Kenya Hara, Designing Design,trans. Maggie Kinser Hohle and Yukiko Naito (Baden: LarsMüller, 2007), 435
• Gioia, T. “Michael Bierut: “The differences between mass culture and elite culture are getting less meaningful”. Its Nice That, 29 September 2017. 14p