COMD3330_D039_SP22

Professor Michals

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Homework 8: Photographic Style_Carl Cabrall

The Vogue Cover is shot using front light. The subject seems to be symmetrically placed in the middle of the cover but in fact, her eyes and lips are off centered giving a view of tallness as her head fills the upper middle of the cover. The look and feel of the subject is one of High Fashion seriousness. The text is linking with the clothing. The view is more of a 180 degree shot.

Wired magazine is using broad light with the subject lit with additional lighting from the back to separate him from the background to give the appearance of a slight halo. The text is linking with the background while the general look and feel is that of quirkiness. The angle of the lighting is diagonal from the right.

AARP at first glance seems to be using butterfly lighting. The subject however is in fact being light from the right at a 90 degree with a softer fill light on the left. The feel and style of the cover is that of confidence and happiness and success. All the subjects for all the covers are smiling. Broad light , front light and butterfly lighting seems to be the general lighting choices for several covers.

Final Project Statement_ Carl Cabrall

Final Project Statement By Carl Cabrall 5/3/2022

Topic: What is it about? What genre of photography interests you and would you like to explore:

For my final I will be exploring portrait photography. I want to photograph people both as they are in various moods as well as in the studio setting.

What purpose will it serve in your portfolio? Do you want to highlight your conceptual thinking, your design sense, your lighting skills?

I would like to highlight my lighting skills and also highlight my attempts to capture an authentic human moment.

Subject Matter: Literally what will you shoot? I would like to photograph men and women individually – maybe possibly a family.

Style: What will it look like? How will you use photographic style to communicate emotion and point of view? Find at least one example and include at least one image with your description.

A person with a beard

Description automatically generated with low confidence

Two out of the three sets of photographs will be in color lit by daylight or studio light. However, the third group will be in black and white with a male subject.

Lighting: how will you light your project?

This will be a combination of daylight and studio light. I will experiment with different colored backgrounds to light a selection of different poses by the subjects.

Moodboard Link

https://app.milanote.com/1NLTX31msuQadD?p=v9Z2kFjzuFq

Natalie Soto: The Final Project

For the final project my topic will be street photography. Street photography interests me and I will focus on various neighborhoods within the city including mine. I won’t just be focused on people but on the backgrounds and architecture that surround the subject itself. The purpose of this project will show how far I’ve come in the topic of photography. I want to be able to highlight my conceptual thinking and design sense for this final project. I will shoot both people in different locations and various subjects such as trains, shops and buildings. It will look instantaneous. I will shoot in an instant any kind of subject in any kind of setting. I won’t pick and choose and stick to a certain theme. It will appear to be without notice, just as it looks like in the example below:

Street Photography

In the example this looks like it was taken in an instant rather than set up beforehand like a scene. Since I will be shooting outside I will not be using any kind of background lighting or flash. I will shoot in the daytime and at different times of the day and at different locations as well.

Link to my mood board on Milanote: my mood board

Lab: Week 12-On-camera fill flash

Use the on-camera flash in three ways to take portraits:

  1. In diffused light, use it at a low power directly at the subject.
  2. In diffused light, use it straight up with the catch light flap up to create a catch light.
  3. In diffused light, bounce it off a reflector to add soft but directional light to the face.

Remember to:

  1. Consider the background!
  2. Use shallow depth of field to separate the subject from the background
  3. Select a flattering focal length – about 65 mm for our class cameras, 85 mm for full-frame cameras
  4. Focus on the eyes

Put your best 20 in an album on Flickr and send the best two to the class group.

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