Robin Michals | COMD 1340 Photography 1

Category: HW1_Composition (Page 1 of 3)

HW 1 Composition- Jesus Pena

I chose a photograph of the “Brooklyn Bridge,” the 22nd photo on the gallery link by Michael Kenna, taken in New York City, USA, year 2000, according to Michael Kenna’s website. This photo looks interesting to me due to the angle, the lighting and the way the image looks at different glances. After many looks, the bridge looks like it is farther away due to the angle of it which makes the bridge seem like when someone is hallucinating and things get farther in certain movies. Look upward makes things even more amazing since it is something that can be overlooked while on the bridge but looking at this photo, it looks bigger somehow, it makes me wanna go visit the bridge again to see if my perception of the bridge is changed and or improved after seeing this perspective. I definitely feel like it was the Photographer’s intention to get people more interested in the bridge through his photo that makes it look great compositionally. I get a sad and adventurous mood from the photo due to the bridge looking more intimidating, the structure holding it gives off a sense fear due to the black and white theme. I am definitely fascinated by how the lighting and coloring of the image make the bridge look. I find myself finding some “Compositional Principles,” of the image instantly since the bridge is at the center and the lighting made it easier to pay attention to the bridge more than the big buildings that are also part of the background, which helped me to appreciate how good the bridge looks and can look. If not for seeing this image, I probably wouldn’t have remembered how the bridge looks, I am inspired by this image and the artist’s vision of what he wanted people to see.

The line on the ground shows importance of the use of tip 2 by Steve McCurry, “Leading Lines,” in which the line is in the almost in the middle area of the photo. I find the way that the picture is angled and how close it is to the ground very similar to how remember the bridge but without people. The bridge is almost always busy so it is intriguing to see it empty, the sides of the bridge are also something that I never really payed attention to but now it seems more important than I recently thought. The picture looks almost Symmetrical according to “tip 9″ of McCurry’s Photo Comp. tips, due to the line on the floor that leads to the middle of the bridge. The third compositional principle is tip 5, Figure to Ground,” since there is a great contrast between the ground and the background, in which the background is the metal structure of the bridge which fills the background really well.

http://www.michaelkenna.net/gallery_images/c522ea3.jpg

http://www.michaelkenna.net/gallery.php?id=14. Image 22 on the gallery

HW1_Composition – Mohammad Ali

I chose a photograph of the Brooklyn Bridge photographed by Michael Kenna, the 20th photo on the gallery link, titled “Brooklyn Bridge, Study 2, New York, New York, USA, 2006.” This particular photo of the Brooklyn Bridge caught my eye because of the presence of the moon in the top left and its reflection on the water. Also, the framing and timing of the shot were perfect, you can get a sense of where exactly the photo was taken and what it was trying to capture just by looking at it. The purpose of this image was to capture the Brooklyn Bridge in its natural element, the moon was just the cherry on top. The photograph conveys a grudge aesthetic due to the photographer’s unique editing style, it makes me feel ominous.


Michael Kenna uses Symmetry, Leading Lines, and Figure to Ground out of the formal elements from the Steve McCurry video. Symmetry is seen due to the Leading Lines that lead your eyes to the bridge as it appears to move further away due to the angle the photograph is taken. You are able to split the bridge right down the middle of the photograph. Figure to Ground is seen due to the photographers editing style and contrast between the city, moon, water, and bridge.

Hw_01 Composition salas


The photograph that I picked is “playing on the roof” by Thomas Holton.

An Asian American family  by the surname Lam is being photographed through periods of their life in their apartment, which is still an ongoing event. The photographer is trying to show how this family living in a compact apartment in Manhattan’s Chinatown goes about their lives and stfuggles. What is happening in this photograph is that  there is a child in a red sweatshirt and khaki pants. She is standing at the top of a flight of stairs whilst the outside light is lighting her up from behind. The intention behind this image is a child looking down at their parents to see if their parents are watching them. What I feel from this photograph is that it is almost like looking at a scene of a flashback, the colors are dulled out like a memory is usually depicted. It brings back feelings of nostalgia of a similar moment that happened in my life. What the photographer is trying to convey are moments of nostalgia with the faded lighting and being primarily focused on one subject. It can trigger memories for both parties, the one viewing through the lens or a general memory for someone remembering their childhood.

 The reason why this image stuck out to me so much is because of the lighting. It can also be interrupted as a figure to ground, most of the colors are in the greys except for the child. It brings out the attention to them. The main subject, the girl in red, is only highly focused and the other one is the leading lines, the stairs leading up to the  little girl who is standing at the top of the flight of stairs. This is an excellent use of leading lines because the leading lines lead up to a subject of focus. The next one is diagonal, the photograph is  taken from a corner which helps give a look into different planes of the ceiling. For example the the ceiling above the the floucenet lights are starting from the top right and heading in a diagonal towards the center, the vanishing point of the room. 

HW 1 – Composition – Mirline Jean

https://www.suzannesteinphoto.com/New-York/i-7PWJVsr/A

The photograph that stood out to me the most was Suzanne Stein New York Street One “Image DSC08195.jpg”. Based on the scenery of the picture, it looks like this was taken at the Labor Day Parade on Parkway. For those who don’t know what this is, it’s a West Indian Day Parade where all the Carribean islands come together to represent their island and celebrate their culture, music, and dance. Every year it’s held along Eastern Parkway, a street in Brooklyn. You will see people marching on the Parkway in colorful costumes, their country flag wrapped around somewhere on their body and just simply enjoying themselves. Suzanne’s intention for the photograph is to show that even if it’s raining, that doesn’t stop anyone from having fun. They risk the chance of possibly getting sick rather than just going home. The purpose is to capture 2 young black adults dancing together since they are what we see first. Mood of the photo is kind of confusing a bit because both subjects look like they are having a dance together but the girl’s face doesn’t match the vibe. I don’t want to assume that she’s mad or sad but idk the relationship she has with the guy. Maybe she could’ve been smiling before changing her facial expression. 

Fill the frame, diagonals and dominant eye are the 3 elements portrayed in Stein’s photo. She utilizes the “fill the frame” to draw more attention to the subjects in the front of the picture. The yellow lines on the floor would be considered for “diagonals” not only because it’s very bold in color but it leads into what else is going on in the background. You can see that it’s raining and some people do or don’t have an umbrella. “Dominant eye” although the girl’s eye isn’t facing the camera, but you can tell how someone feels by looking at their eyes. You can interpret her feelings in various ways. 

HW1_ Composition

http://www.michaelkenna.net/gallery.php?id=14

“Empire State Building from Twin Towers Viewfinder, New York City, USA, 1998”

Michael Kenna’s gallery contained photos of numerous well-known landmarks and locations in New York City from 1976-2010. I’ve always found landmarks of cities interesting, so these photos attracted my attention. The photo I chose is named “Empire State Building from Twin Towers Viewfinder, New York City, USA, 1998”. I chose this photo because it reminded me of one of the photos I took for the class activity last Wednesday. As the title mentions, the photograph was taken on the Twin Towers looking though the viewfinder. The picture is fuzzy and blurry, but you can still tell what building is being photographed. In my opinion, the longer you look at the photograph, the clearer the building looks. I believe Kenna’s intention was to show the viewer how recognizable the Empire State Building is. Even though the photo is not totally clear, you can still recognize one of NYC’s most known buildings.

The first formal element that comes to mind when looking at the photo is frame within a frame. Kenna uses the Twin Tower’s viewfinder to frame the Empire State Building and the other smaller building next to it. You could tell Kenna positioned the lens of the camera either inside of the view finder or zoomed into the viewfinder because of the darkness surrounding the main target (Empire State Building). Michael Kenna also used the rule of thirds. The Empire State Building is not exactly in the middle of the photo. It’s slightly offset to the right of the frame within the frame.

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