Ridley Scott’s depiction of “Do Androids Dream of Electric Sheep,” titled Blade Runner, the viewer is on a thrill ride of authentic versus ersatz. In comparisons to the novel, the film follows Rick Deckard on an obsolete quest to eliminate androids (or replicates). Even so, the standpoint of Scott’s depiction is the use of human aesthetics in a dark, futuristic world.
Blade Runner setting is undeniably dark, both literally(majority of the film set at night) and figuratively, as the audience is given a feeling of sinister apprehension. For example, the low lights in the gloomy night, in addition to the use of dark colors to set the mood and the vividness of makeup to set apart each androids. First, Roy Batty is given a cold, spine-tingling look to highlight his savagery. Pris, on the other hand showcased finely as her makeup displayed her eccentric innocence. Meanwhile, Rachael represented beauty and passion as she played the role of Deckard’s love interest. Lastly, the extravagant makeup of Zhora (Luba Luft) showed her interest of the arts, while the gruff makeup enhanced the brute, Leon(Polokov). By doing this, Scott stressed the personality of the androids, ultimately giving the viewer empathetic feel for the character.
Moreover, Scott brilliantly showcased the struggle of Deckard’s frustrations with his job and empathy for the replicates(mainly Rachael). Beginning with Deckard being forced to return to his job as a “blade runner.”(11:05). Deckard is reluctant, similar to Deckard of the novel he is fed up with his choice of career, but continues out of obligation. In comparison to Deckard of “Do Androids Dream of Electric Sheep,” he is hesitant when it comes to Rachael, as both their fascination for Rachael blinds their judgment (31:18). As Deckard continued his duty of eliminating the replicates(androids), he successfully kills Zhora (57:47), and saved by Rachael fighting Leon(1:02:02) he becomes smitten with Rachael. Keep in mind, after each kill Deckard feels remorse as if he lost himself in his job. Even after he’s told by his superiors to eliminate Rachael as well, Deckard refuses because of his fascination for Rachael (1:00:30). Soon enough, Deckard fell in love with Rachael, ultimately putting a blind eye on Rachael being a threat (1:10:00). Moving forward towards the end, the action picks up, here The Shining meets 2000: a Space odyssey with it’s unconventional suspense sequence. After killing Pris (1:33:20) and surviving Roy’s rage (1:46:00), Deckard is momentarily at ease. Until, he’s warned by Gaff Rachael remains a suspect, which causes Deckard to rescue and escape with Rachael (1:50:00). In all, Deckard finds peace within Rachael despite her being a replicate. Deckard drawn by Rachael’s advanced humanly traits, but mainly her compassion and curiosity. Rachael is seen different from the other replicates as she’s believed to have lived a life of a human being.
As a final thought, the novel and film share very similar aspects, still many important details are missing in the film. For instance, in the film there isn’t any discussion of mercerism or Buster Friendly as both played a huge role in the novel being a voice of divinity. Another being the betrayal of Rachael towards Rick as this moment drives Deckard to realization all androids lack real emotion. Also, the role of Resch, due to the fact his part in the novel changed the dynamics of the story. Keep in mind it was the cruelness of Resch who Deckard realize his dislike for killing the androids. Overall, Blade Runner did an excellent job of capturing the personality of “Do Androids Dream of Electric Sheep,” as he audience receives a visual to a cult classic.
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